I am interested in sonic realms which focus on timbre, and often carry out timbral interplay over time.  I conceive of these sounds and structures as tangible and tactile objects which offer an exploration of sonic elements without expressive, gestural objectives.  My works consist of textures which remain both regular and irregular in their rhythmic, melodic and orchestrational representations.  Contrast between elements are generally subtle and without extroverted qualities.  Notational practices combine different forms including traditional and graphic or spatial conventions. 

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